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Burlesque is the term that defines a kind of parody show born in the second half of the nineteenth century in Victorian England and then imported to the United States, where great success especially among the poorer strata of society (this was also called the poor man's follies, the "follies" of the poor).

Etymology

The origin of the word burlesque burlesque is attributable to the French definition, derived from Italian joke, inspired in turn from the Latin word butter (trifle).
Historical notes

The genre burlesqueFollowed Two Different Developments in Britain and the United States.
In Great Britain

In Britain, the burlesque definition it Written referees to a comic, with nuances and satirical and parodic intent, or inspired by a dramatic text or a typical way of acting plays, Perhaps in vogue in That period.

In Britain the 'burlesque' in prose and be expanded around the Fourteenth Century by Geoffrey Chaucer's satirical work Called The Canterbury Tales ("The Canterbury Tales").

One of the Earliest Representations of the burlesque genre Was The Rehearsal ("Proof") Written in 1671 by the Duke of Buckingham Who Laughedat the plays of John Dryden. The masterpieces produced by this kind Were Recognized The Critic ("The Critic") of 1779 by Richard Sheridan, a parody of the famous and wrenching dramas The Beggar's Opera ("The Beggar's Opera") of the 1728 John Gay, teasing Italian opera.

In the Seventeenth and eighteenth century burlesque Also Approaches: a Political and social themes as They Were in the works of William Makepeace Thackeray. Even Such writers as Henry Fielding's burlesque compete in kind DURING Their career playwrights.

In The Nineteenth Century we witness a turning point, driven by Greater diversity and quantity of publishedts, belly dancing, entr'actes improvised based on double meanings, numbers of acrobats or jugglers, singing and dancing.
Lydia Thompson and his crew, "the British Blondes," first appeared in the United States in 1860, caused a stir with his enthusiasm and entr'actes derived from minstrel show.Il golden age of burlesque you can frame from the late nineteenth World War, and was introduced in the decades following the strip-tease and increased performances of bare stage.

Then in a few years, thanks to burlesque became famous names of dozens of fabulous artists who could undress with sensuality and irony in doses well calibrated: Dixie Evans, Gypsy Rose Lee, Tempest Storm, Blaze Starr, Ann Corio, etc. .. Even Bettie Page - the famous pin-up icon taste fetish - is often associated with the burlesque, although has not exhibited almost never on stage, but only in some films by Irving Klaw.
In the U.S., along the lines of vaudeville, burlesque also owes much to the clowns of the circus, joining:     
* Comic moments simple and immediate;     
* Dances dancers, over time more and more undressed. Derived from this type of show today's strip shows;
    
* Over time, the satirical eleme